Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts

Monday, July 27, 2015

WOLF WINTER by Cecilia Ekback - Great Story, Awesome Book Trailer


 


Sometimes you come across a book and a trailer that seduces you. This happens to be one of those books and one of those trailers. Everything about this trailer, the book cover, its title, its color, is quite effective and eye-catching. 

Turns out this is a debut novel and a good one at that. My main purpose for posting it here is to show how a simple video can help promote your book when done at this level. Whether it was intentional or not, I don't know, but all that white space helps this trailer stand out among the sea of dark trailers.

Sunday, February 8, 2015

STARSHIP BOOK VIDEOS - The Future of Your Book is Here

 

Book marketing is author marketing for the most part. Just the mention of some authors, Harper Lee, of To Kill a Mockingbird fame, in this case, and you instantly relate to her one and only novel, or so we thought, since her "new" novel, Go Set a Watchman is scheduled to be released this July, we'll soon have two books we can attribute to her.

Watchman, as you may already know, was the original Mockingbird, which her editor at the time, Tay Hohoff, suggested Lee skew in another direction, thus, TKM was born. This is interesting because the new book, was actually written before Mockingbird, and will now stand as a sequel to it.

Praise for clever editors, I suppose, although the big question remains; how much, if any part of this new book has Harper Lee re-written under the advice of her new editor(s) at HarperCollins? Some of it, or perhaps, none of it is safe to say based on Lee's mental health and rumors circulating in Monroeville. To a great extent that is irrelevant at this point. 

Based on Lee's comments regarding her publishing another book, we can assume she had little to do with polishing this version of her original Mockingbird manuscript. Lee has said that she didn't want any attention or publicity about a new book at this point in her life. Who's to say what's what? Except for Harper Lee, who thought the original manuscript was forever lost and has suddenly surfaced.

The real curiosity here is not only all the buzz surrounding Lee's reclusive life throughout the years, but we're all eager to know what her original intent for Mockingbird was, aside from what we already know. Lee says that her original story was about an older woman, named Scout who visited her hometown family and wanted to find out about her father's views about the world. Many of the same characters populate both novels in the fictional Alabama town of Maycomb.

HarperCollins will print 2 million copies of the new book and advance orders on Amazon.com have already pushed Watchman to number one bestseller status. Publicity is everything. Although, I'll admit that Lee's original story sounds interesting enough on its own. As its publisher, the president of HarperCollins,  Mr. Morrison asserts, "I've read the book twice, and it's fantastic," he said. 

Hopefully, millions of readers will agree.

However, book marketing doesn't always lead with the author as in Lee's example. If a story is of topical interest or controversial, it certainly has legs of its own to run on. Take JFK's assassination for instance. Enough said. How about a fictional tale such as, The Hunger Games. Suzanne Collins was virtually unknown at the time of this book's publication, but the controversial story helped push it to bestseller status almost instantly, and then of course the movie did wonders for it thereafter.

Back in the 60's, Harper Lee's somewhat autobiographical story was not only topical, born right out of the Civil Rights Movement, but controversial as well, plus the movie, starring Gregory peck, was also a huge push. Never mind legs, this book had centipede legs right out of the gate.

Unknown authors take heart. There is hope if your amazing story has legs. Note the adjective. Yes folks, ordinary stories need not apply. Ordinary stories are the amputees of the literary world. They have no legs to run on. No fuel for the fire. No spark to ignite a fire for that matter. 

Stories need a catalyst. They need a strong hook and it helps if they are current and controversial all at once. All these factors create buzz, which leads to movie deals and consequently, more book sales. And let's not forget that if your story happens to be of social importance at the time of its publication, well, then you get to be featured in public schools and your story can live, and sell, forever.

Not a bad deal if you can write one. It is possible to conjure up such a story if you consider all these factors and if all the stars and moons align for you at the most opportune moment in time.

What about a book trailer you ask? Oh, right. That's what this article was all about to begin with. Yeah, you'll need one of those as part of your marketing mix these days. Book trailers are like a badge of honor. They give readers a glimpse, a taste of what your amazing story is about in 90 seconds or less. 

And when done right, book trailers arouse curiosity, help build author branding, and motivate readers to look into your story for answers to the profound questions raised in your book trailer.

Profound or profoundly amusing because nothing else will do.  Literature is not for the faint of heart or faint of spirit for that matter. 

Popular stories hinge on relevant concepts that ask profound questions, which in turn, demand provocative answers. We are curious creatures by nature and nothing arouses our curiosity more than images that awaken our deepest desires.
That being said, all stories are subject to individual interpretation on the page as well as on screen. And that's the beauty of literature and art alike, it is always in the eyes of the beholder.

Amen to that. Enjoy the Starship Trailer.

Tuesday, March 15, 2011

Book Trailers and Teasers - What's The Secret?

Here are two new Book Teasers that I just finished. One is for Vincent Zandri's "GODCHILD", the other is "Promised Valley Rebellion", a historical novel by Ron Fritsch.


You'll notice the difference in length for these teasers. Godchild is just over 60 seconds, while Rebellion is 90 seconds. Let me say that it's difficult to keep teasers like these so short at 30 seconds. Sometimes, 30 seconds is just not enough time. Everything depends on how much information you need to put out.


Historicals, in particular must run longer, especially if the soundtrack is slower. It takes more time to tell that way since everything seemingly runs in slow motion. Again, 90 seconds should be your longest for any genre. I've gone over on occasion, but only because I've managed to keep readers interested long enough.


My goal is either 30, 60 or 90 seconds, depending on the genre and soundtrack tempo. I think these new teasers work to keep readers hooked to the end of the presentation and ultimately, motivates them enough to keep clicking for more information that will hopefully result in a sale.


The important thing is that your teaser does its job, and that is, to generate excitement for the book. Anything that happens or doesn't happen after readers click on the teaser link, is beyond your control, such as the landing page and the quality of its sales copy and its relevant content.


Getting your book teaser to the point where it does its job, meaning that readers will click on it for more information or follow the book's website link, is your goal. What happens after that is what I call, the doorstop effect.


The doorstop effect is my way of saying, "What readers do once they click the teaser links and buy your book is up to them, even if they use it as a doorstop. Your sales job is done, at least up to that point since the content of your book, especially if it's a non-fiction, must be loaded with plenty of sales copy if you want repeat sales. But that's another topic entirely, which I plan to delve into some other time.


The focus here is coming up with a great writing concept for your book teaser and inspiring people to click, click, click, and buy.

Sunday, March 13, 2011

Book Trailers and Teaser Concepts

Good Ideas are Only the Beginning

Marketing concepts are much more than just clever ideas. Your goal, by the end of your book teaser, is to inspire readers and motivate them to take further action, to buy your book, right now, not later. Later is too late because people not only have short attention spans, they have short-term memory, especially these days since consumers are bombarded with advertising, 360,  24/7. 
Although, that’s why advertisers repeat their ads so many times. People need to see them more than once. They need to process all the information until they understand what you’re communicating, and then they need to take action―they must react to your message. What is your message? Your message must be simple and direct. It must entertain, inform, compel, build curiosity, inspire, and motivate readers into wanting your wonderful product―your book.
Your book teaser must break through all the advertising clutter, and that doesn’t mean that you’ll need big, noisy explosions or fancy special effects. You need to trigger your reader’s emotions and reach them on an emotional level, pushing all the right buttons along the way, and believe me, there are many buying buttons you need to push.
But these buttons are not negative buttons. They are positive buttons, filled not with fear, but with hope, exciting news, and great expectations. What are you selling? A book, yes, but its contents serve a greater purpose. A meaningful statement about the world and how readers process their world through your story to enhance their lives. People don’t just collect books, they buy into the experience your book offers. It is that particular experience you must tap into, distill, and bottle up. It is that essence you must tease out and present in its most curious form, so that readers who come across your ad, your book teaser, are immediately taken by everything it has to offer. What does it offer?
Does it offer a rare insight into the mind of a serial killer? Does it offer a glimpse into the distant future, or someone’s dubious past? Does it arouse the reader’s curiosity and leave them wanting more? It should and it must, if you want your book teaser to succeed in generating sales for your book.
Speaking of serial killers, you hopefully saw and remember the movie, Silence of the Lambs. What a curious title, isn’t it? What do lambs have to do with a serial killer? On its surface, nothing, but dig deeper and you’ll find the hook to this incredible story, and how the serial killer uses that bit of information: detective Starling’s fear of slaughtered lambs on the farm where she grew up. It’s the killer’s ace in the hole to weaken her defenses.
Suddenly, this story has depth and meaning to readers. It’s not just another gory movie, it is a very unusual psychological thriller. This story works on many levels and has multiple layers of meaning. There’s a lot of gold for readers to mine here. That makes it fascinating to watch and unforgettable. Your book teaser must accomplish the same thing, but it must do so in seconds. Not so easy to do.
In order for you to tease out the hook in your story, and play it out in such a way that readers feel the need to find out more, or they’ll die of curiosity, you must act quickly. You must strike like a cobra and infuse your readers, not with venom, but with desire. The magical desire button. The desire to want something so bad, they will go through the process of learning more about it, and go through all the impulsive  steps in the shopping cart purchasing process.
The good news, desire is an easy emotion to evoke. All it takes is an intriguing and urgent presentation of any universal emotion, such as love, jealousy, apprehension, happiness, etc., and the triggers are pulled. These are the buttons you need to push at every turn.  And in turn, a reader’s desire to satisfy their wants, their curiosity, propels them to keep pushing more shopping cart buttons―all the way to the most important button of all, the PLACE YOUR ORDER Button.
Search your story high and low for its crux, a hook, its meaning, and capitalize on those emotional hot buttons by pushing all of them in 60 seconds or less. 
It’s a killer combination that can’t miss.