Analysis? Hell, I'm not sure if that's even spelled right. Whatever. You know what I mean. You've spent hours, no, no, weeks working on your book trailer and after all that blood, sweat, and tears, you're not sure if the damn thing is any good. By that I mean:
Will it really help you to promote and sell your books? Who's to say?
Uh, me? Yes, of course. Who'd you expect, the Count of Montecristo? (Bad reference, I've never even seen that movie.) Never mind. Just point me to the link where I can see your masterpiece so I can have a few laughs. Not at your work, I mean at your concept. It is funny isn't it? (Yes, there's a hint of sarcasm in there somewhere.)
Listen, life's too damn short, baby needs a new pair of booties, and my pig heart valve is about to rupture. Why reinvent the wheel? You've got books to promote don't you? I thought so. Problem is, your marketing materials suck. There it is, I said it. Big deal, you know it's true. You were not born with 25 years of marketing experience and a foul mouth like I was. (Thank you, mother.) Hmm, come to think of it, neither was I. But somehow I got that way.
Okay, enough of that. Let's get to it before my meds wear off and I come to my senses. Where was I? Ahh, your book trailer. Of course. You've come up with a great concept, problem is, it's off the mark. Not quite what you expected, and you know it hasn't done a thing to promote your new book. Why?
Because it lacks emotion.
Emotion? Yeah, that's what has you riled up right about now, wondering who the hell I am and why you're still reading this crap. But rest assured, I've not escaped from the local psycho ward (again) I'm just a marketing cuckoo bird that loves a good challenge. Go ahead, send me your book trailer link and if I can't improve it in any way, I'll send you one million dollars.
You get the idea. No, there's no million dollar prize, (really?) but you can find out if I can help or not. Let me put it this way: If I can't improve your book teaser concept, I'll shut down this annoying blog once and for all. (Wow, just the thought of that sends tingles up my spine. Caribbean breezes, Mojitos, bikini clad Spanish mamitas, hmm, I just might throw the next one.)
This is a good time to email me. I'm busy, but not too busy to take a break and see what you've got.
(I promise to only laugh on the inside.)
arios316@gmail.com
Book trailer design and production. Book cover design that really works to promote and sell your books. Learn how to design your book trailers to get more clicks. Ask about the $195 Special Promotion for a customized teaser. I specialize in Book Trailers, Book Covers, and Author Book Videos that help you sell more books. Starship Book Trailers is the Authority in Book Trailer Promotions. For more in-depth articles on marketing your books, visit: www.bookteaserspub.blogspot.com
Saturday, March 26, 2011
Tuesday, March 15, 2011
Book Trailers and Teasers - What's The Secret?
Here are two new Book Teasers that I just finished. One is for Vincent Zandri's "GODCHILD", the other is "Promised Valley Rebellion", a historical novel by Ron Fritsch.
You'll notice the difference in length for these teasers. Godchild is just over 60 seconds, while Rebellion is 90 seconds. Let me say that it's difficult to keep teasers like these so short at 30 seconds. Sometimes, 30 seconds is just not enough time. Everything depends on how much information you need to put out.
Historicals, in particular must run longer, especially if the soundtrack is slower. It takes more time to tell that way since everything seemingly runs in slow motion. Again, 90 seconds should be your longest for any genre. I've gone over on occasion, but only because I've managed to keep readers interested long enough.
My goal is either 30, 60 or 90 seconds, depending on the genre and soundtrack tempo. I think these new teasers work to keep readers hooked to the end of the presentation and ultimately, motivates them enough to keep clicking for more information that will hopefully result in a sale.
The important thing is that your teaser does its job, and that is, to generate excitement for the book. Anything that happens or doesn't happen after readers click on the teaser link, is beyond your control, such as the landing page and the quality of its sales copy and its relevant content.
Getting your book teaser to the point where it does its job, meaning that readers will click on it for more information or follow the book's website link, is your goal. What happens after that is what I call, the doorstop effect.
The doorstop effect is my way of saying, "What readers do once they click the teaser links and buy your book is up to them, even if they use it as a doorstop. Your sales job is done, at least up to that point since the content of your book, especially if it's a non-fiction, must be loaded with plenty of sales copy if you want repeat sales. But that's another topic entirely, which I plan to delve into some other time.
The focus here is coming up with a great writing concept for your book teaser and inspiring people to click, click, click, and buy.
You'll notice the difference in length for these teasers. Godchild is just over 60 seconds, while Rebellion is 90 seconds. Let me say that it's difficult to keep teasers like these so short at 30 seconds. Sometimes, 30 seconds is just not enough time. Everything depends on how much information you need to put out.
Historicals, in particular must run longer, especially if the soundtrack is slower. It takes more time to tell that way since everything seemingly runs in slow motion. Again, 90 seconds should be your longest for any genre. I've gone over on occasion, but only because I've managed to keep readers interested long enough.
My goal is either 30, 60 or 90 seconds, depending on the genre and soundtrack tempo. I think these new teasers work to keep readers hooked to the end of the presentation and ultimately, motivates them enough to keep clicking for more information that will hopefully result in a sale.
The important thing is that your teaser does its job, and that is, to generate excitement for the book. Anything that happens or doesn't happen after readers click on the teaser link, is beyond your control, such as the landing page and the quality of its sales copy and its relevant content.
Getting your book teaser to the point where it does its job, meaning that readers will click on it for more information or follow the book's website link, is your goal. What happens after that is what I call, the doorstop effect.
The doorstop effect is my way of saying, "What readers do once they click the teaser links and buy your book is up to them, even if they use it as a doorstop. Your sales job is done, at least up to that point since the content of your book, especially if it's a non-fiction, must be loaded with plenty of sales copy if you want repeat sales. But that's another topic entirely, which I plan to delve into some other time.
The focus here is coming up with a great writing concept for your book teaser and inspiring people to click, click, click, and buy.
Sunday, March 13, 2011
Book Trailers and Teaser Concepts
Good Ideas are Only the Beginning
Marketing concepts are much more than just clever ideas. Your goal, by the end of your book teaser, is to inspire readers and motivate them to take further action, to buy your book, right now, not later. Later is too late because people not only have short attention spans, they have short-term memory, especially these days since consumers are bombarded with advertising, 360, 24/7.
Marketing concepts are much more than just clever ideas. Your goal, by the end of your book teaser, is to inspire readers and motivate them to take further action, to buy your book, right now, not later. Later is too late because people not only have short attention spans, they have short-term memory, especially these days since consumers are bombarded with advertising, 360, 24/7.
Although, that’s why advertisers repeat their ads so many times. People need to see them more than once. They need to process all the information until they understand what you’re communicating, and then they need to take action―they must react to your message. What is your message? Your message must be simple and direct. It must entertain, inform, compel, build curiosity, inspire, and motivate readers into wanting your wonderful product―your book.
Your book teaser must break through all the advertising clutter, and that doesn’t mean that you’ll need big, noisy explosions or fancy special effects. You need to trigger your reader’s emotions and reach them on an emotional level, pushing all the right buttons along the way, and believe me, there are many buying buttons you need to push.
But these buttons are not negative buttons. They are positive buttons, filled not with fear, but with hope, exciting news, and great expectations. What are you selling? A book, yes, but its contents serve a greater purpose. A meaningful statement about the world and how readers process their world through your story to enhance their lives. People don’t just collect books, they buy into the experience your book offers. It is that particular experience you must tap into, distill, and bottle up. It is that essence you must tease out and present in its most curious form, so that readers who come across your ad, your book teaser, are immediately taken by everything it has to offer. What does it offer?
Does it offer a rare insight into the mind of a serial killer? Does it offer a glimpse into the distant future, or someone’s dubious past? Does it arouse the reader’s curiosity and leave them wanting more? It should and it must, if you want your book teaser to succeed in generating sales for your book.
Speaking of serial killers, you hopefully saw and remember the movie, Silence of the Lambs. What a curious title, isn’t it? What do lambs have to do with a serial killer? On its surface, nothing, but dig deeper and you’ll find the hook to this incredible story, and how the serial killer uses that bit of information: detective Starling’s fear of slaughtered lambs on the farm where she grew up. It’s the killer’s ace in the hole to weaken her defenses.
Suddenly, this story has depth and meaning to readers. It’s not just another gory movie, it is a very unusual psychological thriller. This story works on many levels and has multiple layers of meaning. There’s a lot of gold for readers to mine here. That makes it fascinating to watch and unforgettable. Your book teaser must accomplish the same thing, but it must do so in seconds. Not so easy to do.
In order for you to tease out the hook in your story, and play it out in such a way that readers feel the need to find out more, or they’ll die of curiosity, you must act quickly. You must strike like a cobra and infuse your readers, not with venom, but with desire. The magical desire button. The desire to want something so bad, they will go through the process of learning more about it, and go through all the impulsive steps in the shopping cart purchasing process.
The good news, desire is an easy emotion to evoke. All it takes is an intriguing and urgent presentation of any universal emotion, such as love, jealousy, apprehension, happiness, etc., and the triggers are pulled. These are the buttons you need to push at every turn. And in turn, a reader’s desire to satisfy their wants, their curiosity, propels them to keep pushing more shopping cart buttons―all the way to the most important button of all, the PLACE YOUR ORDER Button.
Search your story high and low for its crux, a hook, its meaning, and capitalize on those emotional hot buttons by pushing all of them in 60 seconds or less.
It’s a killer combination that can’t miss.
Friday, March 11, 2011
BOOK TEASERS PUB VIDEO PROMO
Here's a new Teaser I recently put together (upper right). Notice how short it is (under 40 seconds) and how it does just what a book teaser should do. It's a curious, jarring spot that leaves you with more questions than answers. That's what you're looking for. You want to wake people up and motivate them to click on your teaser (with an active hyperlink, of course) to find out more.
That being said, you don't have to scream as I've done here (I needed that) but it helps. What you need is to capture your readers attention with curious images and sound, right away, then persuade them with a unique message. BTW, I didn't spend weeks coming up with this concept. All I started with was the screaming part, which captures people's frustration with dull, ineffective book teasers (at least mine).
From there, it took on a monstrous life of it's own. Besides, Frankenstein's the monster that best describes me. We sure look alike anyway.
If this floats your boat, check out the other Frankenstein Amazon spot, way at the bottom.
That being said, you don't have to scream as I've done here (I needed that) but it helps. What you need is to capture your readers attention with curious images and sound, right away, then persuade them with a unique message. BTW, I didn't spend weeks coming up with this concept. All I started with was the screaming part, which captures people's frustration with dull, ineffective book teasers (at least mine).
From there, it took on a monstrous life of it's own. Besides, Frankenstein's the monster that best describes me. We sure look alike anyway.
If this floats your boat, check out the other Frankenstein Amazon spot, way at the bottom.
Monday, March 7, 2011
Book Teasers Are Not All The Same. 5 Tips That Make a Difference:
Have you taken a look at all the new Book Trailer Production Companies out there? Go ahead, search the internet and check out all the big production companies and their book trailer offerings. I can't believe what I'm seeing. These trailers are laughable, and worst of all, they don't work. They won't do a thing to help sell your books. What a gyp!
Listen up folks, before you spend a ton of money and waste your valuable time on something that doesn't work, here's what you need to know:
1) Book Trailers are not Mini Movies:
You can't design a book trailer that runs for 2 or 3 minutes or longer. People's attention span is very short, so ideally you want to keep your trailer or teaser to 30 seconds or maybe up to a minute or so, but nothing longer. Although, if you can manage to keep things interesting, sometimes a minute and a half is okay.
The point is, however, the shorter, the better. The reasoning behind that, aside from short attention spans, is that a short 30 second teaser leaves the reader wanting more. And that's key because if they want more, the next logical thing, as long as you've piqued their curiosity, is that they'll click on the book teaser link to find out more about the book. If you've told too much in your teaser, they have no reason to continue searching.
2) It's All About The Concept:
Book teasers are advertisements, not journalism. You must come up with a curious concept and design that concept around questions instead of answers. You must keep readers guessing--wanting more. Don't give away the whole story.
3) Expensive, Flashy Production is Useless to Readers:
Over-the-top production means nothing. Readers are hungry for a moving story, an emotion. Why would you feed them fancy effects that don't serve the storyline? Chroma keys and vibrating titles are not sales tools.
4) Your Images Must Serve and Sell The Story:
Use images that sell, not tell your story. You've got to be a tough editor and remove anything that doesn't apply to the storyline concept--your hook. Stick to your concept and keep it short.
5) Your Ending Must be Dramatic:
Sure, it's only a 30 second teaser, but those last few seconds must drive everything home because that's what readers will remember. Build it up and end with something meaningful.
I'll be posting more tips and going into great detail about many other things you need to know about designing a successful Book Teaser that gets the job done. And that means, getting readers to click (because your book teaser hooked them) and buy your book.
I've posted articles on my other Blogspot (BookFreak: The ProseFreak Files about impulse buying. When it comes down to it, that's what you want to create--a book teaser that encourages impulse buying. Why make it impulsive? Check out my take on Impulse Purchases here. You'll be glad you did.
My next Post: How To Build a Killer Book Teaser Concept. Don't miss it!
Listen up folks, before you spend a ton of money and waste your valuable time on something that doesn't work, here's what you need to know:
1) Book Trailers are not Mini Movies:
You can't design a book trailer that runs for 2 or 3 minutes or longer. People's attention span is very short, so ideally you want to keep your trailer or teaser to 30 seconds or maybe up to a minute or so, but nothing longer. Although, if you can manage to keep things interesting, sometimes a minute and a half is okay.
The point is, however, the shorter, the better. The reasoning behind that, aside from short attention spans, is that a short 30 second teaser leaves the reader wanting more. And that's key because if they want more, the next logical thing, as long as you've piqued their curiosity, is that they'll click on the book teaser link to find out more about the book. If you've told too much in your teaser, they have no reason to continue searching.
2) It's All About The Concept:
Book teasers are advertisements, not journalism. You must come up with a curious concept and design that concept around questions instead of answers. You must keep readers guessing--wanting more. Don't give away the whole story.
3) Expensive, Flashy Production is Useless to Readers:
Over-the-top production means nothing. Readers are hungry for a moving story, an emotion. Why would you feed them fancy effects that don't serve the storyline? Chroma keys and vibrating titles are not sales tools.
4) Your Images Must Serve and Sell The Story:
Use images that sell, not tell your story. You've got to be a tough editor and remove anything that doesn't apply to the storyline concept--your hook. Stick to your concept and keep it short.
5) Your Ending Must be Dramatic:
Sure, it's only a 30 second teaser, but those last few seconds must drive everything home because that's what readers will remember. Build it up and end with something meaningful.
I'll be posting more tips and going into great detail about many other things you need to know about designing a successful Book Teaser that gets the job done. And that means, getting readers to click (because your book teaser hooked them) and buy your book.
I've posted articles on my other Blogspot (BookFreak: The ProseFreak Files about impulse buying. When it comes down to it, that's what you want to create--a book teaser that encourages impulse buying. Why make it impulsive? Check out my take on Impulse Purchases here. You'll be glad you did.
My next Post: How To Build a Killer Book Teaser Concept. Don't miss it!
Sunday, March 6, 2011
New Book Teasers Coming Soon
Hey folks, I've been busy lately with 3 new Book Teasers in the works. I'll be posting several of them by the end of this week. One is for a Historical Novel, the other is a Noir Detective novel, plus I've got a few more lined up. Working fast and efficiently as always. You'll want to come back and take a look at these new teasers. Generally, I can put a simple one together in a few days but I like to take my time to tweak and fine-tune everything for about a week, sometimes longer. It all depends on how complex it is.
By that I mean, if it involves voice-overs or film footage of some kind. Voice-overs are great but you have to know what your doing. Most authors tend to overwrite. For a good example of voice-over work, checkout the teaser I designed for James Hayman,"The Chill of Night" (Thriller). He'd sent me the script, he's also a copywriter, so I knew I could trust what he'd write, and it worked out nicely. I managed to get that feeling of suspense in the voice and the soundtrack certainly helped put it all together.
Another example of good voice-overs is my own DFB Teaser, of course. I love the female voice I used for that too. It takes a lot of time to tweak these voices. Can you tell they're computerized? Hard to believe, but they are. Hey, I'm putting a lot of actors out of work. Yeah, I doubt that.
While you're here, checkout the "Deed So" teaser, under Sentimental Novel. It's simple,but very effective and moving. I've got another one similar to it that I really enjoyed putting together. Posting it soon. A lot going on, I wish I could clone myself, but hey, one of me is enough. My ex-wife can attest to that.
By that I mean, if it involves voice-overs or film footage of some kind. Voice-overs are great but you have to know what your doing. Most authors tend to overwrite. For a good example of voice-over work, checkout the teaser I designed for James Hayman,"The Chill of Night" (Thriller). He'd sent me the script, he's also a copywriter, so I knew I could trust what he'd write, and it worked out nicely. I managed to get that feeling of suspense in the voice and the soundtrack certainly helped put it all together.
Another example of good voice-overs is my own DFB Teaser, of course. I love the female voice I used for that too. It takes a lot of time to tweak these voices. Can you tell they're computerized? Hard to believe, but they are. Hey, I'm putting a lot of actors out of work. Yeah, I doubt that.
While you're here, checkout the "Deed So" teaser, under Sentimental Novel. It's simple,but very effective and moving. I've got another one similar to it that I really enjoyed putting together. Posting it soon. A lot going on, I wish I could clone myself, but hey, one of me is enough. My ex-wife can attest to that.
Wednesday, February 16, 2011
Do Book Teasers Really Help Sell Your Books?
The short answer is YES and NO. Sure they work, when done right, and no they don't work, when they're poorly done. So what's "done right" and what's "poorly done"? Glad you asked because I have plenty to say about it. |
Here's a fact of life: Selling is easy! You read that right. Selling is easy because people's desires and needs are built in. People will always want things; things they like, things they need, they even buy things they never use. We're all alike when it comes to wanting things. Most of us want a beautiful house or a fast car, a big screen TV, nice clothes, great furniture, like a Lazyboy recliner where you can read a good book. So what makes selling your book so difficult? How about the wrong approach, the wrong words, the wrong sound, a vague platform, the wrong venue. You want to make selling your book easy? Then make buying your book easy. Everything must be in place--all green lights.
Human beings need instant gratification, all the time. We're always searching for something that will make us happy and make us feel good or feel better about ourselves, even if it's just for a brief moment in time. Don't derail that blessing with horrible advertising.
Desires are a natural human condition, an addiction we can't live without. In this digital age, do you wonder why so many people still read books? The competition for your attention (your dollars) is ferocious. With hundreds of channels on TV, cell phones that can do just about anything you can imagine, movie theaters, and tons of electronic gadgets, it's a miracle we find time for our wanting spouses and children.
Last time I checked, my family had been missing for 3 days before the annoying chime of my doorbell woke me from my electronic stupor. It was my wife and 3 kids, and I didn't let them in. Heck, after months of trying, I was just about to finish Norman Mailer's "Oswald's Tale."
* * *
"You want to make selling your book easy? Then make buying your book easy."
* * *
Okay, you get my drift. Some of us love books. We love the control we have over books. We pick them up, read a little, get sleepy, toss them aside, sometimes we fling them across the room or tear them from limb to limb when we come across something we don't like. But for the most part, we love stories and we like to indulge in all the pleasures reading offers.
Point is, sometimes, people must have something, whatever that might be is personal, but hopefully, it's your book. Your book? Why would anyone want to read your book? Who the heck are you that anyone would take interest in what you have to say? Got you, didn't I? There you have it. A big part of selling your book is selling yourself, as a person, as an author, as a writer. And of course, that's where, among many different advertising and promotional efforts, book teasers come in. Holy crap, Lindsay Lohan just did what? You’ll have to excuse me, Showbiz Tonight is on and I digress. See what I mean?
Okay, let’s get to it. You’re an author, probably self-published, which is a good way to publish books these days. But let’s face it, nothing beats being backed by a major publishing house, when they champion your book to stardom, that is. Let’s not forget the thousands of Random House titles that go unnoticed because their authors don’t have enough clout, or literary cache, if you will. I recently came across a good book that frankly, I was surprised to see in a bargain bin for a buck. But there it was, a mid-list offering drowning in a sea of misfit bargain books. Well, I rescued it and I love that book. God only knows my own novel will wind up right next to it some day. (someone hug me)
Isn’t it refreshing when we put things into perspective? Are big house publishers a better deal than self-publishing? Not if you’re the author of the next “The Shack.” I’m sure William P. Young doesn’t miss the paltry advances and penny royalties the big publishers offer these days. He’s one of the many self-published, self-made millionaires and loving the huge profits that go with it. Why not you? What’s the big fu*#!&@! secret?
Here’s what you really need to know:
First and foremost, you must write a killer book. Nobody will buy a book that apparently, its author put little effort into. Here’s the short of it. If you’ve written a non-fiction book, you’re selling solutions. If you’ve written a fiction book, you’re selling a story. Stories offer many things people crave: an escape, a journey, learning about other cultures, a reflection of their own life, a hero to root for and commiserate with, a different way to look at things, anything that will make them forget about their next mortgage payment. Come on, it’s entertainment first, facts second.
* * *
What a shame, but that’s life in the big city, folks. Sometimes you’re the windshield, sometimes you’re the bug."
* * *
* * *
What a shame, but that’s life in the big city, folks. Sometimes you’re the windshield, sometimes you’re the bug."
* * *
Next, you need to show and tell people who you are and what you stand for in this world. What’s your thing? What moves you? What drives you to write about dogs, cats, houses, relationships, your lovely mother-in-law? Whatever. You have something unique to tell the world in a way that only you can tell it. People want to know the story behind the story too. This is where press releases, publicity, and media kits come in. Don’t have any of that? It’s all easy to get. If you look hard enough, you can find most of it for free on the internet. Might not be the best, but it’s a start and it’s better than nothing.
Next, you must introduce your book to prospects. As you read this, people are searching for books online (get back here). They’re looking for all kinds of books, maybe a book like yours. Is your book, your author website searchable in Google, Bing and Yahoo? If not, get it there. It only takes a few minutes to list. Your book is the star, even if you’re John Grisham.
Stories are why people buy books, and not because a famous author wrote it. Remember, even famous authors often write lousy books that nobody buys. Your book (its story) is front and center at all times. Your book is the main product. People want the product and everything that product has to offer that can make them smile or laugh or reflect. If your book can offer a life-changing experience, then you’re way ahead of the game.
To successfully advertise and promote your book, you must spend some money, but some marketing can be had for a song. Last time I checked, YouTube wasn’t charging to display your book teaser. You can pay for positioning if you want, of course, but start by uploading it for free in their massive database and test the waters. There are dozens of other sites where you can upload your book videos. Google it!
Don’t have a book teaser? Uh, what are you waiting for? You need one. Don’t have enough to make a really good one? Make one yourself with Windows Movie Maker. With a little practice (about 3 weeks) you’ll come up with something horrible, hard to watch.
Newsflash: It’s not about the snazzy photos, it’s about how to sell a product. Don’t know enough about sales and marketing? That’s no excuse. Got a few thousand bucks handy and a few months with nothing to do? Take a marketing course. You know, I don’t intend for this to come off sarcastically, but it’s turning out that way. It’s the hard truth. There’s so much more to making great book videos than you think.
* * *
"People are not like dogs that you can train with Pavlovian tricks."
* * *
"People are not like dogs that you can train with Pavlovian tricks."
* * *
Take a look at all the big production companies that make book trailers and see if you like any of them. Honestly, they’re laughable and embarrassing. Sad part is, authors are paying thousands of dollars for these atrocities and thinking they’re getting the best. What a shame, but that’s life in the big city, folks. Sometimes you’re the windshield, sometimes you’re the bug.
Well, if you don’t like being splattered across the highway of life by big production companies, listen up. The purpose of a good book teaser is two-fold. The main goal of a book teaser is to inspire you, and then to motivate you to buy the book. Inspiration is artistic, emotional. Motivation is psychological. Both are triggered by strong writing concepts. Notice the key words here. Emotional triggers. People are not like dogs that you can train with Pavlovian tricks. Human beings feed off and respond to emotional events. It’s what makes us human above all other animals in our known universe.
Aside from intuition, we have a cosmic understanding that keeps us in tune with all the things we like. Things that make sense to us. Must be why I cringe whenever I see the so-called book trailers these big production companies have to offer. I call them anti sales tools. They’re big on flashy production and very short on creativity and value. When was the last time you heard anyone praise a movie for its production values? There it is.
Good marketing concepts, with the right images and the proper soundtrack, make for great book teasers. Anything less is a waste of your time and money. If I were to charge separately for writing, designing, and producing your book teaser, it would cost you thousands, yet it would still be worth it. Take a look at some of my teasers and see for yourself.
The good news is you won’t pay thousands of dollars for your book teaser at Book Teasers Pub! In fact, you can get a 30 second book teaser for as little as $399 complete. That includes the marketing concept, all the images enhanced on Photoshop, special effects filters and the best soundtrack for your particular teaser, all for one low price. Film footage and voice-overs are available for additional fees since these can drive up the cost considerably.
I encourage you to shop around. Check out all the other production companies out there that claim to be the best. I have yet to come across one that can match what I can offer. You simply get much more for one low price with Book Teasers Pub, and the best part is that you’ll have more than a great looking and awesome sounding book teaser. You’ll have a marketing concept that works for you as an author--a marketing tool that helps you sell more books.
Let’s discuss promotional ideas for your book and ask me how I can help you put together an amazing book teaser that represents you and your books in the best possible light. I promise to make it great and make it functional or your money back.
Get an instant Discount!
Ask me a question here or email me and if we do business, I’ll discount $50 off your Book Teaser. Email me right now before this offer fizzles into obscurity.
Don’t miss this discount. It won’t last forever!
**********************************************************
Next Post: Book Covers: The Doorstop Effect
Having trouble getting a good cover design in place? Don't miss this Post next Monday.
**********************************************************.
This article was swiped from Alberto's upcoming book, "Don't Freak - Secrets of a Marketing Guru"
Your moment of Zen: Not giving up is your best revenge.
**********************************************************
Next Post: Book Covers: The Doorstop Effect
Having trouble getting a good cover design in place? Don't miss this Post next Monday.
**********************************************************.
This article was swiped from Alberto's upcoming book, "Don't Freak - Secrets of a Marketing Guru"
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| Projected Publication August 2012 |
Your moment of Zen: Not giving up is your best revenge.
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